Posts Tagged 'epublishing'

Blogging in the UK!

David returned the favor… http://pillingswritingcorner.blogspot.co.uk/ 🙂

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Writer’s Journal Review – Primer for Beginning Authors

Off Topic Rant: Why Readers NEED Independently Publishing Authors!

Quoting Irene Goodman (a literary agent with her own agency) from an article in the September 2010 issue of RWR – the monthly  publication of Romance Writers of America:

“It’s always sad when an earnest author spends years working on something that absolutely no one is interested in, except a few geeks and hobbyists. Let’s say you want to write historical fiction…you must pick a marquee name. If you fall madly in love with the story of some obscure Norwegian king, please don’t think you’re going to convince the world to love it, too… Even if the Norwegian king had some kind of interesting hook or quality, readers are more likely to be interested in the queen. Learn (KRIS SAYS: and by this she means “write”) what is commercial (KRIS SAYS: and by this she means “already popular”).”

I am going to make the startling observation that engaging stories are always about people – of both genders, duh – and plot. It’s their settings that make them stand out in a crowded market. Based on Ms. Goodman’s viewpoint, how many fascinating historical stories are being passed over because they aren’t about kilted Scottish warriors or English Regency dukes?

The Good News for Readers: with independent publishing on the rise, you WILL be allowed to choose these unique stories. And then, you may fall in love with ANY king you wish!

Kris <–apparently a geek/hobbyist 🙂

“A Woman of Choice” is now available:

https://www.smashwords.com/books/view/22944

Kindle & Paperback coming soon!

Official release date: September 8


The Death of Traditional Publishers? Part 12: Unveiling A Business Model that Didn’t Exist – Until Now

I am about to take a huge and scary plunge. I’m going to reveal my secret.

During the past year I have been actively exploring the world of independent publishing. The reason is simple: while my writing itself has been praised, the setting of my American/Norwegian historical trilogy doesn’t fit into publishers’ “kilts & dukes” boxes. (See Jerry Simmons’ June 17th post here about “safe” trumping “new.”) So my choices were to:

1. bury the books, or

2. hope that the manuscripts I have – which DO fit the “boxes” sort of – sell to publishers, and generate enough interest that the publisher might take a risk on them, or

3. publish them independently and let them stand on their own.

With my agent’s blessing, I’m taking the trilogy directly to the readers. But the issue I have with 99.9% of self-published books is that they look… well… unprofessional. Cheesy. They use ugly or mismatched fonts, over-use bold lettering, or don’t have a sense for how a page should LOOK. It’s like these authors have never read a book!

But to be fair, so do some print-on-demand books from some established e-publishers! Editing there, too, is an issue. Because e-books are cheap, somehow that translates into shoddy work.

Readers deserve better.

So, I decided to find a way to give it to them: GOODNIGHT PUBLISHING.

I soon realized that I have no interest in getting in between an author and their royalties. Or an author and their rights to their books, for that matter! So Goodnight Publishing is NOT an actual publisher, per se. But it fills a need that no other company does that I know of. It begins with:

  • Manuscripts being evaluated by professional editors before they are accepted.
  • Once accepted, the author will either learn how to do all of the following tasks themselves, or take training classes through the Goodnight Publishing website ($15 per class per 30-day instructional window).

Authors are asked to:

  1. Sign up for a free account with Amazon’s Create Space – for their POD copies – procure a free ISBN through them, and determine the physical properties for their book(s).
  2. Format their manuscript per the selected properties, or have it professionally formatted (classes and/or references provided).
  3. Edit their manuscripts, or have it professionally edited (references provided).
  4. Design their own book covers, or hire a professional designer (classes and/or references provided).

Now, this is where the genius of Goodnight Publishing kicks in: when the book itself looks professional and the proof is approved, the author will be given permission to add the TRADEMARKED logo for Goodnight Publishing.

  1. The book now has Goodnight Publishing’s logo printed on the back, spine and the title page.
  2. Goodnight Publishing’s website address appears under the logo.
  3. All book covers will appear on Goodnight Publishing’s website.
  4. Readers who go to Goodnight Publishing’s website will see all the other authors “published” by Goodnight Publishing. Just like any traditional publisher’s site.
  5. For their first four books on the website, authors will pay $2 per month for one live link from their book cover, or $3 per month for two. (Their fifth book will be linked for free.)

These live links can send readers to the author’s website, Amazon or another site for purchasing, to YouTube for their book trailer (classes and/or references provided), their blog, etc. Wherever they choose. By being listed on a publisher’s site along with other authors, the author gains legitimacy in the eye of the reader. Readers don’t care where royalties go. They just want to be able to find more books.

More key points of genius:

  1. This business model exists to enable the independent author to present their works to readers in a professional manner.
  2. Authors retain all rights to their work.
  3. There are no contracts.
  4. Live links are prepaid for 12 months (renewable/non-refundable) and pulled when the payment expires. However, the cover stays on the site. That’s good for all of us.
  5. No manuscript will be refused or removed because previous ones haven’t sold well. Each book stands on its own.

Because – this process is not about selling books. It’s about authors linking arms to BUILD READERSHIP. Long term goals are realistic, overnight bestseller is not.

Goodnight Publishing will accept submissions from all genres, but I do confess an affinity for Historical Fiction and Romance.

Do you have a manuscript that you would like to take on this path? Are you willing to do the work? Then get ready:

Submissions will be accepted beginning August 1, 2010 at www.GoodnightPublishing.com

The Death of Traditional Publishers? Part 11: Spawning New Entrepreneurs!

In the new world of “Author-Straight-To-Public” publishing, tasks done by the traditional houses now fall on the author. But few of us are graphic artists/video competent/promotional whizzes. And we have already discussed how impossible it is to successfully edit our own work!

This is the moment when energetic go-getters will sit up and say, “But I AM a graphic artist/video competent/a promotional whiz/an experienced and competent editor! I should offer my services!”

Bingo.

Let’s say I want to independently publish my Ecuadorian same-sex vampire historical time-travel epic because – at 250,000 words – I’m having a hard time convincing the NY publishers to take a chance on it. Where do I start?

Obviously, the first thing is to get it polished. Enter ENTREPRENEUR #1: Independent Editors! For a fee (a penny a word is what I’ve seen bandied about) they will edit your manuscript and clean it up. Make it shine. Worth every – literally – penny!

Next, I need a cover. If I don’t have any art background, or am not techie enough to do it myself, I’ll want to hire someone to design it for me.

Enter ENTREPRENEUR #2: Freelance Book Cover Designers! These professional artists will design your cover to match your expectations – and your actual characters. Here are two I have met, though there are many more out there: Anastasia Rabiyah: www.rabiyahbooks.com and Dawne’ Dominique www.dawnedominique.com (Contact info is on their websites.)

But what if I DO have some skills? Where can I get the components to put together my OWN cover? Enter ENTREPRENEUR #3: Freelance Cover Models! Okay, I used the plural here. But honestly, the only one I have found (Do you know of others? Please share!) is Jimmy Thomas.

On his site, Romance Novel Covers Jimmy poses both alone and with female models in a variety of costumes and settings. Don’t be put off by the name: professionally shot, the photos are perfect for a variety of genres! And they are very reasonably priced.

Brilliant, Jimmy.

Now that I’m edited and have a cover, I can upload to CreateSpace, Kindle, Nook, iBooks (But only if I own a Mac. In typical Apple fashion they aren’t playing nicely with others), and Smashwords (who covers ALL formats – even iBook. So there.) on my own. But how do potential readers know I’m worth it?

ENTREPRENEUR #4: Freelance Reviewers! There are a ton of blogs and websites that will review your book for free. One, however, takes it a step further: Apex Reviews. For a very reasonable fee, they will review your book, create a trailer, and post it everywhere.

Speaking of which, ENTREPRENEUR #5: Book Trailer companies! A caveat to this: most of their prices are so high that I’m not sure they drive enough traffic to justify the expenditure. But you CAN make your own trailer very simply with PowerPoint and a conversion program.

Which brings us to ENTREPRENEUR #6: Teaching Other Authors! I teach classes on creating your own Book Trailer through Savvy Authors (Check it out if you are interested!). MANY authors teach classes through a variety of websites! And we all make a little money doing it. But the entrepreneurs RUNNING the classes? They make a lot.

Are you getting the point? If there is a corner of the publishing market that independent authors need filled, quick-acting and skilled entrepreneurs can jump in… ARE jumping in.

Is there an unmet need that you have as an author? Post it here and we’ll see if anyone can help… Or start a business! 🙂

The Death of Traditional Publishers? Part 7: OTHER Editorial Tasks & The Author’s Responsibility to Their Customers

Writers should already know that they cannot expect a publisher’s editor to extensively line-edit their works, as editors did decades ago. And we already know that a good number of traditionally published books – all of which were professionally edited and produced – aren’t of particularly high quality. E-pubs tend to drop the bar even lower, sad to say.

It makes me want to pitch books across the room. In my pre-Kindle days, I waited 6 months from release until a friend’s e-book went to print. POD print, that is. I paid WAY too much ($28) for a copy from Amazon, but I wanted to be supportive. When I read the book, I realized that I never want my name associated with that (large & successful) e-publisher. The plot was a copy of a best-seller and the editing was horrific.

My last blog guest made it perfectly clear that an author can not successfully edit their own work. So what’s a new author to do? ESPECIALLY a new author striking out on their own?

Let’s assume your manuscript is completed and you have combed through it many times already. You have critique partners – other writers – who have evaluated your plot and characters, plus their goals, motivations and conflicts. Your grammar, punctuation and spelling have been checked. You think it’s finally in good enough shape to put it “out there.” How can you get it ready for print?

The answer, in my humble opinion, is to:

1. Print 3-4 copies in the form the book will ultimately take.

I learned when publishing my “Primer for Beginning Authors” that it does no good to proof a book that is not in book form. Wasted effort.

2. Recruit a battery of beta-readers.

I ordered 4 copies of my debut novel – “A Woman of Choice” – and gave it to 4 friends to read. (They cost $5.05 each – comparable in cost to printing the 103,000-word manuscript at Office Max.)

When they found a mistake, they were to mark it, dog-ear the page, then keep going. Mistakes could take any form: typos, scene breaks that fell at an awkward spot on the page, action descriptions that didn’t make sense, etc.

When I got the books back, 25% of the pages had mistakes on them – in a manuscript that I thought was clean. And here’s the kicker: they all found DIFFERENT mistakes!

3. Do it again.

I tweaked the cover, adjusted lines on the pages so the scene breaks didn’t overlap the top or bottom of a page, fixed every skipped or repeated word, adjusted the font size to be more pleasing, clarified actions described.

Then I ordered 4 more copies. 4 different friends got the fixed copies.

And they came back with 10% of the pages dog-eared, marked with mistakes that were missed in the first round. And again, they all found different ones. *sigh*

4. Do it yet again.

Ditto on the changes. But this time I only ordered 2 copies. And they went to 2 different friends.

But I already spotted 2 mistakes myself. Really? REALLY??

5. Do it again, for hopefully the LAST time.

I have 2 more friends waiting in the wings for Round Four.

Does this process take time? Yes. Is it worth it? You bet it is! I don’t want my books to look shoddy either in print or on e-pub. I don’t want to give anyone reason to say, “You can totally tell she published this herself.”

I am setting about building a readership. I respect those who spend their money to take a chance on me and my stories. I want to give them the best experience possible, whether the book is electronically, independently or traditionally published. Even if they only paid $2.99 for the e-book.

Because I’m in this for the long haul.

And the long haul demands that I go the extra mile. That my books are extensively proofed. That I listen to critique. That I give 100% effort to creating a quality product.

I wish all publishers felt as strongly about this as I do. Then I could stop throwing books across the room.

The Death of Traditional Publishers? Part 6: The WYSIWYG Conundrum a.k.a The Solid Cloud by Richard Adin

We’ve had this discussion about the value and importance of professional copyediting but it seems that it’s a topic that just won’t die in the eBook Age. As I have noted before, too many authors believe that they are capable of doing everything themselves while producing a superior product. I admit that out of 1 million authors (in 2009, more than 1 million books were published) there are a handful who can do it all themselves and even do a very credible, if not superb, job — but it is only a handful.

Like writing, editing is a developed skill. That is, experience brings a higher level of editing quality — just as an author’s second novel is often better written than the first as the author’s experience grows. There is a significant level-of-quality difference between a well-experienced professional editor’s skill set and a nonprofessional editor’s skill set.

When we look at a sentence, we see what we expect. When we look at thick clouds, they look solid enough to walk on (do you remember being a child and talking about how someday you were going to walk among and on the clouds?), but as we know, our expectation that they can support us is a false expectation.

BUT, what we see is not what we get — the WYSIWYG conundrum!

The same is true of words on paper (or computer screen). We often see what we expect, not what is really there. If we always saw only what was really there, we could turn out perfect manuscripts every time. But the truth is that if you hand a manuscript to 5 different people, each of the 5 will find something that the other 4 missed.

Think about eyewitness identification. This is a field that has been explored by scientists for decades and the conclusion hasn’t changed: eyewitness identification is one of the least-reliable forms of evidence because the eyewitness has certain expectations that unconsciously get fulfilled, even if those expectations deviate from the facts. (If you haven’t watched it recently, I highly recommend Twelve Angry Men with an all-star cast led by Henry Fonda.)

Professional editors provide a dispassionate look at an author’s work. They provide a skilled, experienced eye that is trained to find the kinds of errors that the author, who is intimately familiar with the manuscript, will miss. A good author lives with his or her manuscript for months, lives with the characters, and lives with the plot. The author knows how the heroine spells her name and whether or not she is left-handed, the color of her eyes, and all the other important details. Consequently, it’s not unusual for an author who is self-editing to miss the misplaced “r” in Matra because the author expects to see Marta. We have trained ourselves to see it as it should be.

It is this role that the professional editor, the “indifferent” or “dispassionate” set of eyes, fills. The professional editor can stand back — aloof — from what the author has lived with and can note the misspelled or changed name, that in 20 other instances the heroine was left-handed but now is right-handed, the sentence construction that the author understands but the reader doesn’t. If nothing else, this last item can be the most valuable service the professional editor provides an author — making sure that the story, the plot, the characters can be followed by the reader.

Authors tend to forget that most readers read a novel once and then never look at it again. Novels are intended to entertain, which means non-intense reading. The reader doesn’t want to have to spend time trying to follow the storyline and certainly does not want to study the text to make it understandable.

But the author rarely is capable of standing in the reader’s shoes. The author knows where it should be going and expects it to go there; the reader doesn’t know, doesn’t have the intimate knowledge needed to draw everything together in some logical fashion. The author’s job is to draw it all together for the reader, but if the author can’t stand in the reader’s shoes, the author can’t honestly judge how well he or she has accomplished that task. The professional editor can, because the professional editor is disinterested; there is a difference between one’s passion and one’s job that enables one to stand back and look objectively at one’s job but with bias at one’s passion.

Professional editors bring many skills that are complementary to the author’s skills to the table. These skills cannot be brought to bear on the project by the author because the author cannot separate him- or herself from his or her writing. The author suffers from the WYSIWYG conundrum: the author sees what the author expects to see.

The authors who recognize this conundrum and who take steps to have their work professionally edited are the authors who enhance both their readers’ enjoyment and their likelihood of success in an overcrowded marketplace.

Success is much more than the number of downloads of free or 99¢ eBooks, especially when there is no way to know how many of those downloads actually were read or well thought of. Instead, success is having readers clamor for your books, talk about your books, express a willingness to pay a higher price for your books — all things that a professional editorial eye can help an author achieve by preventing the kinds of mistakes that turn readers away.

~~~

Rich Adin is a professional editor and the owner of Freelance Editorial Services, which provides editorial and production services to authors and publishers. He also authors a blog at An American Editor. The above article was written specially for Kris Tualla’s Author & Writing Blog and is printed here with permission.


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